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Coming Up on April 7

Our third virtual performance meeting will take place April 7, 2021 at 10 AM. The videos are lined up and ready to play for you. Please join us on Zoom. You will receive your zoom link via email.


Poetry: “April” by William Carlos Williams, “April Rain Song” by Langston Hughes, and “Always Marry and April Girl” by Ogden Nash all read by Michelle D’Arcy

“Wouldn’t it be Loverly” from My Fair Lady by Lerner and Loewe performed by Carol Dewar, vocalist and pianist

“Varen” (“Spring”) Op 33, No 2 by Edvard Greig, a song transcribed for piano, performed by Timothy Woolsey, pianist

“Tango”, “Dance”, “Ballad”, and “Valse” from Suite Bourgeoise by Malcolm Arnold performed by Pat Yingst, flutist, Andrew Ross, oboist, and Maxine Gomes, pianist (video created by Emily Meo)


Coming Up on March 10

Our next Zoom meeting which was originally planned for March 3 is going to happen on March 10 at 10 AM. The problems which plagued the last meeting have been fixed so we are counting on a smoother experience for all. Please join us.


Three Poems: “End of Winter” by Louise Gluck, “For a New Beginning” by John O’Donohue, and “Spring” by Gerard Manley Hopkins read by Michelle D’Arcy

“Musings” by Melanie Richards, composer/pianist

“Fantaisie for Flute and Piano” by Phillipe Gaubert performed by Pat Yingst, flutist, and Carolyn McColloch, pianist

“Scherzo No. 2 in B flat minor” by Frederic Chopin performed by Brian Grothues, pianist

“Soliloquy for Flute, Op 44” by Lowell Liebermann performed by Sheryl Goodnight, flutist


Zoom Performance Meeting

10 AM, February 3, 2020


Three poems read by Michelle d’Arcy: January by Ruby Archer, The Snow Man by Wallace Stevens, and Hope is the Thing with Feathers by Emily Dickinson

Kentucky Waltz by Bill Munroe performed by Greg Shields, violin, and Ruby Smith, guitar

Waterbird Flying into the Sun by Gwyneth Walker and Steal Away by H.T. Burleigh performed by Elise Ragland, soprano and Maxine Gomes, piano

“Idyll” and “Polska” from Four Watercolors by Tor Aulin performed by Kaye Mueller, violin and Angelica Lopez, piano

“Andante” and “Presto” from Piano Sonata No. 3 in F minor by Alexander Scriabin performed by Tim Woolsey, piano

NOTE: Members will receive an email containing the link on Monday, Feb 1. If you are not a member and would like to attend, send an email to the webmaster (see “Contact Us” on the left side of screen).


Our President and Board are happy to announce that the club will resume limited meetings in Spring of 2021 – all meetings on Zoom. Three meetings are anticipated: Wednesday, February 3, Wednesday, March 3, and Wednesday April 7, all at 10 AM. There will be several performances per meeting though the program for each meeting has not yet been determined. The appropriate meeting links and content will be sent out as the dates approach.

KMFA Virtual Tour November 4 at 10 AM

A Special Wednesday Morning Music Club tour has been set up just for us thanks to David Hammond. So don’t miss your chance to take this virtual tour of the new KMFA facility.

To pick up the link for the virtual tour, see the October newsletter Noteworthy in your email inbox or on this website.

After broadcasting from leased space for 52 years, KMFA is getting a new permanent home. They have purchased land adjacent to the Rebekah Baines Johnson Center (RBJ Center) as part of a mixed-use development just east of I-35 on the north shore of Lady Bird Lake. The planned 18,000-square-foot building will open in late 2020, tripling the size of the current KMFA studios and allowing for new amenities including performance and recording spaces.

The redeveloped RBJ Center will open up myriad opportunities for growth and engagement. The new “urban village” will be home to retail, offices, market rate rentals, and affordable housing on its 17.8-acre site.

A Message from Our President

Dear WMMC members,

I deeply regret that we haven’t seen each other in months now. We had such a great beginning in the fall with our luncheon, followed by excellent programs at First Unitarian Church, which seems to work well for us, and at Westlake Hills Presbyterian Church. Then suddenly in March it came to a screeching halt! 

Though we were unable to meet together, the Board has been in contact virtually and has begun discussions about how to proceed this coming fall with the safety of our members and performers being of paramount interest to us. 

First, let me bring you up to date about the decisions the Board has made:

1) Submissions for the Fielder Grant Competition will proceed as in the past. Judging will not occur until spring 2021 which gives us time, should a change in procedure become necessary.

2) Submissions received for programs for the upcoming year have been very few, so the deadline for submission may need to be extended beyond June 15th.

3) Upon the recommendation of the Wilcox, Maurer, Rudd and Putter Committee, all ten high school Seniors who had entered the contest will be given an award of $500 each. These students have worked very diligently and such diligence deserves to be acknowledged and rewarded.

4) The WMMC is making a gift of $1000 each to KMFA and to Health Alliance for Austin Musicians (HAAM).

5) The yearbook format may be changed somewhat for next year, but it should be completed around August 1st.

These were decisions the Board felt comfortable making without input from the WMMC membership.

The difficult part of the Board’s job cannot be completed without some input from you. We wonder whether to plan meetings again in the fall, wait until early 2021 to begin, or some other variation. Therefore, we would like for you to help us by answering the following questions. Keep in mind what the church decides about utilizing their meeting space will play a critical role in our decision-making.

1) If we begin in the fall, would you likely attend meetings?

2) If we wait until early 2021 would you be more likely to attend meetings?

3) Would you feel more comfortable waiting until fall of 2021 to begin meeting again?

Our plan is for a WMMC Board member to make personal contact with each of you. We want to know how you’re doing and what you’re doing. Please be thinking about how you would like to see WMMC move forward.

In addition to this report, I cannot express too strongly how important it is for you to pay your dues. The work of the National Federation goes on and we are part of that. We encourage you to retain your membership, whether active or associate, in the WMMC and to remain engaged as a member by sharing your suggestions and thinking with us.

Very truly yours,
Sarah Harriman, WMMC President 2019-2021

Coming Up on March 4, 2020

A Concert Dedicated to the Piano

First Unitarian Universalist Church, 4700 Grover

Piano Program

Fantasie in F Minor, op. 103 by Franz Schubert performed by Felicity Coltman and Kaitlin Lalmond

Andante expressivo from Piano Sonata No. 3 in F Minor, op. 5 by Johannes Brahms performed by Isabelle Lipovski

Anyone for Tennis?, Baroque for the Blues, and Benodet Breeze by Mike Cornick performed by Marcia Edwards, Felicity Coltman, and Kathryn Govier

Scherzo No. 2 in B-flat Minor by Frederick Chopin performed by Brian Grothues

Coming Up on February 19, 2020

A Concert Dedicated to NFMC Crusade for Strings

10 AM

First Unitarian Universalist Church, 4700 Grover

Followed by New Member Orientation at 11:30AM


Allegro from the Concerto in A Minor for Two Violins op. 3, no. 8, RV522 by Antonio Vivaldi performed by Ruby Jane Smith and Gregory Shields, violinists with the Silver Strings Orchestra, Katie Kerwin, director

Concerto in G Major, K.313, III. Rondo: Tempo di Menuetto by W. A. Mozart performed by Sheryl Goodnight, flutist and Stephen Burnaman, guest pianist

Largo, Con spirito, Lento, and Vivace from Divertimenti da Camera by Giovanni Battista Bononcini and Largo, Presto, and Largo from Sonata Seconda by Giovanni Battista Fontana performed by Marianne Weiss Kim, recorder, Gregory Eaton, harpsichordist, and Angela Smith, cellist

Allegro vivace from the Cello Sonata, No. 2 in F Major, op. 99 by Johannes Brahms performed by Terri Freeland, cellist and Angelica Lopez, pianist

Prelude in G Major, op. 32, no. 5: Prelude in B-flat Minor, op. 32, no. 2: Etude in E-flat Minor, op. 33, no. 3: and Prelude in G-flat Major, op.23, no. 10 by Sergei Rachmaninoff performed by Timothy Woolsey, pianist